harolrock
ago 10d"And I love you and I love you and I love you as the ferocious beast loves, biting, the female, as the sea loves the cliff into which it throws itself insanely, and where its roaring is appeased and to which it always returns"... From the transcendent to the meanders of the most obvious secularity, from sublime things to the ordinariness of the day, from the infinite to the exact present moment, from the unity of all that exists to the small, partial and subtle imperfections that sustain us, there is nothing in which we do not find ourselves, there is no scenario or hypothesis in which we do not fit perfectly in this precise intersection between our worlds. Whether in the perversions of Bataille, in the vertiginous reveries of Kerouac or in the analytical depth of Dostoevsky, there will always be one more verse or phrase that defines us. In the almost sacred timelessness of classical notes or in the deliberate and cathartic dirtiness of amplified guitars, our music persists: the music (still) remains the same. We are the exact point where Bonham's precise drum fills meet the fury and passion of a Jimmy Page solo.
Thinking of you while I drink tea and start watching the movie you mentioned, I like how you draw me into the things that affect you. And this intersection between us, which is in the conversations that touch on Bataille (whoever wrote The Story of the Eye would be amazed? Oh yes...), Dostoevsky (the Russians! the Russians!) etc. etc. etc. and end in some clever little joke, because the profound and the everyday are the same territory. "Because I'm still in love with you in this harvest moon," as Neil says... not something fragile, a force that returns, he insists. Yes, you and I really do have a bit of Bonham and Page in us, especially in what we find in common 🔥💋 ago 9d